cartoonist

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An elderly Oscar the penguin

It's hard to think about getting old

I was recently floored by a question that I have never had from a client in 11 years of full time cartooning:

Do you have a superannuation fund (Australian pension)…?

and even more surprisingly:

…because we would like to pay into it.

I replied that cartoonists don’t retire – we keep working until we die at the drawing board. The client persisted:

Would you like to consider setting up a [superannuation] account…? It might not add up to an awful lot, but it’s an amount you are entitled to. Hopefully you’ll be with us for a while and we can keep contributing to it.

(I really love this client). So that made me think… and search on the internet…and find that it might really work out to have a superannuation account as I could claim it back against my tax, or have the government pay into my pension (getting money from the government is always a persuasive prospect).

A search online showed only one superannuation company that was really worth considering: Australian Ethical. They invest in truly environmentally sustainable companies that care about people as well as profits. Coincidentally, one of their (recycled paper) leaflets showed up in the ACF’s Habitat magazine. And they were launching a new fund called the Climate Advocacy Fund, a joint venture between Australian Ethical and the Climate Institute. I went to a presentation by one of their directors, James Thier, last night. It’s a weird new thing. They aim to effect change by investing in the Australian Stock Exchange (including companies they wouldn’t previously have touched with a barge pole) and then tabling resolutions with some of those companies to try and get some of the most carbon-intensive ones to change their game. From the AE web site, the aim and objective of the Climate Advocacy Fund is to:

  • Provide returns consistent with the broad Australian share market index and provide an avenue for active engagement with the companies included in the index.
  • … track the return of the S&P/ASX 200 share market index
  • … improve the corporate behaviour of companies through engagement on climate change issues.

I like the idea that this company,  having invested in ethical, sustainable companies for 20+ years is now prepared to try another tack – to take on some of the companies who would make a bigger difference to our future, if they would only change the way they operate.

I’m going to get myself a pension plan.

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My good friend, Jason Chatfield, reminded me of an exhibition we have contributed to (he does the legendary comic strip, Ginger Meggs). It kicks off this week and you can read more about it in this Australian Cartoonists Association blog post.Exhibition of cartoons including Arctic Circle and Ginger Meggs

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I’ve been writing this incarnation of  Arctic Circle for over three years and despite being a female cartoonist, the main cast of seven are all male (it’s sort of a default setting for animal characters without eyelashes). When I wrote the Antarctica series, I had great fun with the introduction of a female character, Gwen. So I’ve brought her back. I’m not sure if she’ll stay – I’ve been writing more strips with her in this week – we’ll see how things work out.

My editor thought some of these strips a little sexist, but there are differences between men and women (in general) and the amount of luggage they take is definitely one of them.

I have a whole lot of facebook friends I don't even know and I'm petrified of deleting them

So this is my approach for a lot of my Facebook "friends" whose witterings mean nothing to me

Gwen moves out of the bachelor igloo

My mum actually did this to Dad's shirts once.

Inspired by the Gondola in Christchurch. A pointless apparatus, if ever there was one - you can walk or drive to the top of the hill it goes up!

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a mere 19 dollars entry...

The Tim Burton Exhibition at the ACMI

I never really thought of Tim Burton, the film director, as a cartoonist, but the guy definitely shows the symptoms in his ACMI exhibition. Masses of drawings, a vivid imagination and the desire to tell a story, even in just one panel. You couldn’t take photos, so I had fun trying to sketch some of what I saw.

the last of its kind

This started as a sketch on a doodle pad and then became one of his more effective acrylic paintings

There were a lot of fantastic creatures

NB. The exhibition was packed. Even first thing on a Wednesday, a couple of weeks after the exhibition had opened. Despite a $19 entrance fee. This would be unheard of for a cartoonist’s exhibition. Just goes to show that moving pictures are the way to go…

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One of the great things about this US trip was consolidating several cartoonist friendships I’ve made over the internet. I had a hunch that I was really going to like Jonathan Lemon – he is another expat Brit and his cartoons have a wonderful quirky but friendly sensibility that comes from exactly the same traits in him. He and Julia made the boyf and I very welcome and we were sorry to leave.

One of Lemon's recent Rabbits Against Magic strips

He works down in his basement, which is a real treasure trove

Where Lemon works when he isn't in the library

I also owe him an original strip (though sorry, mate – I ain’t water-colouring mine!)…

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When the boyf and I were visiting a friend of his in Northern California, we were a hop, skip & a jump away from Santa Rosa, so paid a visit to the Charles Schulz Museum.

detail of the building

Hanging out with two of my childhood icons

In the atrium of the museum

When you get closer you see the tiles are individual Peanuts strips

A superior alternative to papering the bathroom with the comics pages

The highlight was meeting fellow cartoonist, Justin Thompson, and getting the real tour, behind the scenes at the Peanuts studios.

With Justin outside the studios where Schulz used to work

Justin's drawing board

I think he needs a bigger office

This room would have blown my ten year old mind

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Rina Piccolo

My cartoonist friend, Rina Piccolo has revamped her web site and launched a new web comic, Velia Dear. It’s nice to see her flexing her narrative muscles in a format that is more liberating than the newspaper strip (she does Tina’s Groove and is the funniest Six Chix cartoonist)

Fantastic! You couldn't get away with this in the newspapers

Fantastic! You couldn't get away with this in the newspapers

The cartoonist nerd in me also enjoys her blog posts about the cartooning process itself. This piece on ink washes (too scary for me, as yet!):

For those of you who may not know what an ink wash is — it’s just water
with a teeny bit of ink in it. When applied with a brush on paper, it appears grey. The more ink in the water, the darker the grey. You can play around with it to give all kinds of nice tones to a line drawing. This is how my webcomic “Velia, Dear” gets it’s tones, which are called “half-tones”.
If you can master the wash –I’m still learning, but I’m a lot more confident with it than I was a year ago — you can use it to create mood in a cartoon or illustration (some cartoonists prefer to use cross-hatching instead) — it’s a preference. However, I should add that newspaper comics rarely have a wash because of how they’re printed. Am I going off on a tangent here?
Anyway, the ink wash is a ton of fun when you get confident with it.

I look forward to her answer on where she gets her ideas from. It’s got to be good, ‘cos she’s sure got a lot of them.

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A lovely visual gag from Piers Baker

A lovely visual gag from Piers Baker

I love the work of my fellow King Features cartoonist, Piers Baker

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